
Sirens
Tanasha Martin
I wake. A warning
whirs and wails.
Sirens whose sounds
screech along skyscrapers
and slide down silent streets.
I find strange solace in the steady
streams and swells
as they assemble
the suffering.
They circle, and spiral.
I am soothed
from the serenity
of semi-sleep,
shadows of skin
made more like scale
where some seek and search
for sunken ships,
they sing,
but not to warn.
They herald the
whirs and wails of
wounded warrior women;
enslaved, evolved, resilient, strong.
They siphon the souls of siblings slumbered and set sights on their final stop. Never to stop. A symphony screams. I too, sing. Release silent sufferi -- My swirling curls crave the salt of the sea.
I synch in soundless
song for the Sirens
have surged,
swords set,
to shore.
Their whir
and wail
a sista’s
psalm.
We are
woke
fa’
war.
Tanasha Martin
Tanasha Martin is originally from Detroit, Michigan. Published works: The Solilquist’s Winter 2026 Issue: “Spitting Image” and “Weight” Red Coyote’s Vermillion: Flash Issue #18: “Shhh!”, Woodcrest Magazine’s The Good, The Bad, and the Ugly: “Do No Harm”, Please See Me’s Bias: “Do the Math” and “Voice”, Don’t Die Press: “No Mercy”, Kissing Dynamite Press: “In Plain Sight”, Nightingale & Sparrow Magazine (chosen for Top 10 micro poems of 2020): “Groove”, Pine Hills Review: “Hope for Flint”, The Writing Journey's Reasons for Hope: “Peer”, “Digital Footprint”, and “Once More, With Feeling”, Human: “Touched”, “Personal Bubble”, and “All Smiles”, and Near Myths: “A Tale with No Fairies”, “The Scant Structure Slayers”, and “Everglow”. Additional works: tanashamartinwrites.wordpress.com.
