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Sirens

Tanasha Martin

I wake. A warning 

whirs and wails. 

Sirens whose sounds 

screech along skyscrapers 

and slide down silent streets. 

I find strange solace in the steady 

streams and swells 

as they assemble 

the suffering. 

They circle, and spiral. 

I am soothed 

from the serenity 

of semi-sleep, 

shadows of skin 

made more like scale 

where some seek and search 

for sunken ships, 

they sing, 

but not to warn. 

They herald the

whirs and wails of 

wounded warrior women; 

enslaved, evolved, resilient, strong. 

They siphon the souls of siblings slumbered and set sights on their final stop. Never to stop. A symphony screams. I too, sing. Release silent sufferi -- My swirling curls crave the salt of the sea. 

I synch in soundless 

song for the Sirens 

have surged, 

swords set, 

to shore. 

Their whir 

and wail 

a sista’s 

psalm. 

We are 

woke 

fa’ 

war.

Tanasha Martin Headshot.jpg

Tanasha Martin

Tanasha Martin is originally from Detroit, Michigan. Published works: The Solilquist’s Winter 2026 Issue: “Spitting Image” and “Weight” Red Coyote’s Vermillion: Flash Issue #18: “Shhh!”, Woodcrest Magazine’s The Good, The Bad, and the Ugly: “Do No Harm”, Please See Me’s Bias: “Do the Math” and “Voice”, Don’t Die Press: “No Mercy”,  Kissing Dynamite Press: “In Plain Sight”, Nightingale & Sparrow Magazine (chosen for Top 10 micro poems of 2020): “Groove”, Pine Hills Review: “Hope for Flint”, The Writing Journey's Reasons for Hope: “Peer”, “Digital Footprint”, and “Once More, With Feeling”, Human: “Touched”, “Personal Bubble”, and “All Smiles”, and Near Myths: “A Tale with No Fairies”, “The Scant Structure Slayers”, and “Everglow”. Additional works: tanashamartinwrites.wordpress.com.

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